Relatively Speaking Opens With a Bang!

Relatively Speaking by Alan Ayckbourn

presented by Next Stage Theatre Company

Wednesday 6th - Saturday 9th May 2026

Next Stage Theatre Company. Cast of Relatively Speaking (from left to right), Jonathan Taft as Greg, Mike Stevens as Phillip, Liz Wilson as Ginny and Hayley Fitton-Cook as Sheila.

Review:

A trip to The Mission Theatre is never to be resisted, especially if an Alan Ayckbourn play is involved. The personal connection of one of our greatest living playwrights to this gorgeous theatre adds an extra layer of excitement to the evening. I've been a fan since watching my brother in a school production of Gosforth's Fete, I've directed two (A Chorus of Disapproval and Life of Riley) and watched many others, but this one has until now escaped me. Funnily enough, this play is referenced in Life of Riley as the plot involves some of the characters putting on Relatively Speaking, so I feel as if I already have a good reason to be here to join the dramatic dots. Theatre in the round is the specialty of The Mission, and this is perfect for Ayckbourn who designed his material to be performed in this way. The attention to detail in the set design is everything we've come to expect from Next Stage. I loved Ginny's London bedsit flat, but the garden was the stand-out set ("Ayckbourn and the power of gardens as a dramatic setting" -discuss) complete with the lightest of touches from Kris Nuttall and Andy Punt (leaves on the lawn, birdsong and a gobo effect) to enhance the effect.  I particularly liked the 1960s music vibe, placing it squarely in the era in which it was written, signalling the changing attitudes toward relationships and sexuality and the power dynamic between men and women. Not his first play, but an early one that put him on the map, Relatively Speaking gives us Ayckbourn at his best capturing middle-class coupledom with all its attendant relationship issues. It has the technical challenges that are his trademark, carefully maneuvering the cast on and off to maintain the narrative confusion in the manner of a farce without the opening and closing of doors or the dropping of trousers. The joy of farce lies in the audience understanding that characters telling the truth and clearing up any misunderstandings would end the play very quickly and deprive us of the fun of watching them dig deeper holes for themselves. This play works because of the very English idea that it would be rude to ask direct questions, leaving us a wonderful comedy of manners full of awkward silences and small talk. It was clear that the cast, under the direction of Ann Ellison (supported by the steady hand of Andrew Ellison as stage manager), were very much up to the task. Liz Wilson was excellent as the liberated young swinging-London Ginny, living on her own terms in her flat, but very much unseated when at the home of her married lover to break off the relationship only to discover that her boyfriend Greg is already there under the impression that it is her parents' house. Jonathan Taft was the perfect Greg, possibly the only decent character in the play; well-meaning, as yet uncorrupted and disillusioned by life, and ready to take a chance on love. Phillip was brought to life beautifully by Mike Stevens with shifty mannerisms and a passive-aggressive tone that encapsulated a man who has his cake and enjoys eating it, keen to prolong the affair with Ginny by underhand means if necessary. But my Man (or rather Woman) of the Moment has to be Hayley Fitton-Cook and her portrayal of Sheila. She moved seamlessly between polite bafflement and well-worn annoyance, and her handling of the genteel conversation to mask the confusion and giving as good as she gets to her grumpy husband was a joy to behold. It was only fitting that she got the final line, turning the whole play on its head. Fans of Ayckbourn and those new to his repertoire will thoroughly enjoy this production. It might not be the same as a dirty weekend or even a dirty great lifetime, but it will be a wonderful night at the theatre that will keep you laughing long after the final applause. Don't miss it.

Rebecca Beard.

The Mission's Summer 2026 Brochure is here!

The Mission Theatre Team are thrilled to be unveiling their Summer 2026 season, filled with exciting events, from family-favourites to hard-hitting drama, from live music to thought provoking talks, there’s something for everyone at The Mission this Summer.

Resident company Next Stage are reviving an Ayckbourn classic with Relatively Speaking, promising a sell-out show and kicking off our Summer season. Written by our patron in 1965, Relatively Speaking is a funny, witty, insightful look at human foibles, frustrations, fears and fancies.

 

In May, Tessitoura - making a welcome return to The Mission - bring their retelling of Verdi’s dark, fast-moving drama - Rigoletto - an opera that explores corruption, vengeance, and tragic innocence.

 

Securing his long-standing place on The Mission Theatre’s rostra, Dean Friedman will be returning to The Mission Theatre on May 19th. Hailed by critics and fans alike as one of the finest songwriters of his generation, Dean Friedman has achieved legendary status for chart-topping hits, Ariel, Lucky Stars, Lydia and more.

 

Hot on the heels of Dean’s concert The Mission Theatre will be throwing its doors open to Bath’s Party in the City on May 15th. We have four fabulous acts lined up during the evening of free entertainment concluding with Uke Can’t Be Serious.

 

Kicking off Fringe season, we welcome to the stage Melika Radmand with her one-woman show, The Migratory Bird, a show exploring migration, identity and language. Then, Dramatic Moose introduce us to God - casually - in a coffee shop in The Universe PLC. A light-hearted and thought-provoking play that will leave us asking the question ‘'What really is important to you?”

Returning to The Mision Theatre, we then have in June The Blank Slate Ensemble with their absurd comedy about fantasy and fiction, in Five Weeks Which Seemed Ages. To conclude our Fringe season, Bath University Student Theatre are bringing Dr Frank by Elz Rainbow and The Mancino Affair by Bethany Hine and Joe Marriage to the theatre on the final Fringe weekend.

In June we are thrilled to welcome back Mr B’s Emporium to The Mission Theatre for a highly anticipated literary evening when Kathryn Stockett will launch her latest novel - The Calamity Club. Later in June something a little different is taking place at The Mission with Talking Ghosts Podcast Live - Travelling Circle.

Courage performers are treating us with Little Women - Alcott’s beloved classic. And, a wonderful outing for children and young audiences alike, Courage Performers also present Disney’s Alice in Wonderland Jnr!

Rounding up June, we have Kairos presenting King of Fools - a new musical comedy set against the backdrop of Tudor England and Henry Viii’s court. Followed by, and with us for the first time, Bath Opera presenting Elixir of Love. Donizetti’s charming tale of love and what we would do to secure it.

Concluding our brilliantly diverse, exciting and dramatic Summer season, Next Stage Theatre Company bookends proceedings with Gaslight by Patrick Hamilton. A dark, psychological drama. Desperately current in its themes of coercive control and emotional abuse, Gaslight shines a light on what it means when perceptions are twisted and reality is skewed.

 

 

 

His Right Worshipful the Mayor of Bath’s visit to The Mission Theatre on its 18th Birthday

The Mission Theatre celebrated its 18th Birthday last week by staging Florian Zeller’s compelling play: The Father. Next Stage Theatre Company received two great reviews after opening night, see here, and His Right Worshipful the Mayor of Bath: Councillor Rob Appleyard attended the last night on Saturday 28th January. The Mayor enjoyed this powerful production and expressed his admiration and congratulations to all concerned. He took the time to talk to each member of the cast and crew after the final curtain and then posed for a photograph on set.

Standing: Kes Joffe - sound and light operative, Joshua Tenn - Man, Ann Ellison - Director, The Mayor, Andrew Ellison - Stage Manager, Callum Marshall - Pierre, Tiana James - Laura Sitting: Lydia Cook - Anne, John Matthews - André, Hayley Fitton-Cook - Woman

At each production of The Father Next Stage raised money for a Bath-based charity RICE: Research Institute for the Care of Older People collecting over £256.00 in donations. RICE is dedicated to improving the lives of people diagnosed with neuro degenerative conditions through diagnosis, treatment and care. They carry out research studies to help improve understanding of diseases and conditions of aging and ultimately to help find a cure. As a small independent charity, they rely on donations to continue this vital work and appreciate any support. More information about RICE can be found here.

Next Stage also received lovely comments about The Father from audience members writing in our Foyer Comments Book. It’s safe to say that this show will last in everyone’s minds for a long time. Check out what was said below…

The Bridget Cassé Award for Excellence in Youth Theatre

Each year, the Next Stage Youth tutors nominate youth members for this prestigious award from which one individual is selected. Inaugurated in 2010, in memory of a talented Next Stage actress - Bridget Cassé - who had also been a Youth tutor.

The trophy is given to somebody who has shown theatrical talent, enthusiasm, a willingness to help out and a positive attitude towards fellow members. The Bridget Cassé trophy was awarded for the first time in 2010 to Philip Davies and the winners of the prestigious 2022 Bridget Casse Award for Excellence are Fin Hancorn and Miranda Webb.

Both young actors have shown outstanding flare onstage whilst also being friendly and helpful to other members of the company. They are both always happy to work in a team and enjoy new acting challenges.

Miranda’s credits include Lily in Living with Lady Macbeth in 2022 and Young Esme in Arrivals and Departures working alongside the adult company in 2022.

Fin’s credits include Callum in Noughts and Crosses in 2021 and Nick in Four Minutes Twelve Seconds working alongside the adult company in 2022

Runner up, Sophia Punt, was a very close contender for the trophy this year due to her excellence in acting and her contribution to the youth theatre. A friendly and popular member of the group Sophia gave a memorable performance as Monica in the youth production of Living with Lady Macbeth

Dara Tiernan deserves the highly commended certificate as someone who has been a friendly and talented member of the company. In the 2022 production of Living with Lady Macbeth, Dara played Gail and she showed her brilliant acting skills when performing her skydiving scene.

The Mission Theatre's Artistic Director interviewed about Raise the Roof!

On January 15th 2022, our Artistic Director Ann Ellison was interviewed for BBC Radio Wiltshire, and BBC Radio Bristol, to speak about our Raise the Roof! Appeal.

After almost a year of fund-raising we are now within £10,000 of our goal, the once unimaginable £110,000. The support we have received from the community allowed us to go ahead with the required works in November 2021, securing the building ahead of the rainy winter months. However, as bills come due, we are asking for another push to raise the last few hundreds and get us over the finish line.

To listen to Ann’s interview with BBC Radio Bristol, click below.

Ann Ellison Interviewed for BBC Radio Bristol

Dean Friedman is coming to The Mission Theatre!

We are delighted to announce that acclaimed American singer-songwriter, Dean Friedman, will be performing at The Mission Theatre on Sunday 15th May 2022. Following Friedman's sold-out, 40th Anniversary Tour, Friedman returns to the stage armed with a stunning collection of his insightful and compelling, true-to-life ‘story songs’ - songs of pathos and humour that deal with family, friends, neighbours, work and the seemingly trivial, yet ultimately essential stuff of everyday life.

After having to postpone his 2020 tour, we are so excited to finally be welcoming this legendary pop-icon back to our stage.

Hailed by critics and fans alike as a one of the finest songwriters of his generation, he has achieved legendary status for chart-topping hits, such as Ariel, Lucky Stars, Lydia, McDonald’s Girl and more.

A consummate entertainer, Friedman will be performing solo, on guitar and keyboard, featuring songs from throughout his four-decade career, including familiar, radio hits and fan favourites, drawn from his eight studio albums. Invite family and friends and join Friedman for an evening of powerful, poignant and hilarious songs about the ordinary and extraordinary lives we share.

For more information, and booking details, see our what’s on page HERE.